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Credits

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Fiction

  • Dust´s Whispers, on development, NYC (2022-2024).

  • Juana, feature-length script, Mexico (2021). 

  • The Flower and the Line, short script, Mexico (2020).

  • Under the Vine, feature-length script, finalist at Shorts Mexico (2019).

  • Cananea's Stones, script, Mexico, (2018).

  • Violeta, a feuture-lenght script. Part of Kino Magdalena Writer's Residency (2016), a program from the Instituto Sonorense of Culture at Sonora, Mexico. Violeta was also part of the Guadalajara Talent Campus (2018) and a finalist for the Sundance Writing Lab, USA (2018). 

  • Cumbia Calea, a short script, was selected in the official script competition at the Oaxaca Film Festival and won first prize. USA-Mexico (2016).

  • Jade's short script was a finalist at Latino Lens/Nalip, Mexico (2018).

  • Good Pipe, a short script, was a finalist at Latino Lens/Nalip, USA (2015).

  • Chapina won 2nd place at the Yosemite Film Festival (2016), was a finalist at the Manhattan Short Film Festival (2016), and won first prize at the West Field Screenwriting Awards (2016). I was also recognized as a quarterfinalist in the American Gem Short Script and Literary Festival, USA (2016).

  • Christmas, a narrative short, premiered at the Cinequest Film Festival in 2015. Later, it continued screening at the Sunscreen Film Festival in Florida and the Guanajuato Film Festival in Mexico. In March 2015, it won the merit award at BestShorts in two categories: Women Filmmakers and Latin / Hispanic Film Short (2015).

  • The Persistent Faith, a biopic co-written with Gabriela Vidal, Argentina (2008).

  • Where do the babies come from? Participated at Fundacion Toscano/ Imcine, Bobette Buster Morelia Lab, and was a finalist at the Havana International Film Festival, Guatemala (2007).

  • Happiness in a Can, a short script, won a contest by El Garfio-Imcine, México (2006).

  • Love, happiness, and other stupid things, was a finalist at the Havana International Film Festival, Argentina (2005).

Storyboard

Documentaries

  • Mourners, documentary development, a finalist for the ITVS Diversity grant and LPB-PBS grant, and participated at IFF Panama Doc Lab (2018). 

  • The Marching Quixotes, an 81' documentary about some members of the" 15-M" movement from Barcelona, is part of FICG LA Lab (2014). The film won Best Student Film at Oregon Film Awards (2017), was part of Vision Du Reels Market, Guadalajara Film Market, and finalist at the Stockholm Film Festival (2017).

  • Back Dad's Home, was my thesis graduation project, an experimental personal essay film. (2016).

  • As Usual Bill experimental film participated in L.A. International Short Film Festival. (2011).

  • ArgenChina experimental film has won an award of merit at BestShorts and The Indi Fest. (2013).

  • 99% collaborative film, premiered at the Sundance Film Festival. (2012).

  • As a Man Thinketh, participated in the Crossroads Delta Film Festival in Mississippi (2009). 

  • Bird Sounds,  won 1st prize at the Corto Cinema Film Festival in Mexico and was screened at Morelia Film Festival (2006).

  • Digna Merced, a short doc, won 1st prize at the Crystal Screen, Mexico (2005). 

Florencia Davidzon on the set

T.V. Scripts Series

  • Mitzvah is a short story I wrote and adapted on-demand as an episode for Paula Markovich. (2020).

  • Chilanguitos, is a TV Series for kids for Channel 21 CDMX, on-demand for Antonio Vallarta Head of Production (2020).

  • The Forest co-written with Gabriela Vidal was selected to be part of the Expansion/ Motor 2021 catalogs. Finalist at Fox fiction contest, (2016 & 2020).

  • Paparazzi co-wrote with Gisela Benenzon and Mariano Vera, (2014-2015). 

Florencia Davidzon

Plays 

  • Guerrero, (2023)

  • Exodus, selected to be part of the Theater Research Program 2021-2021 at Contigo America/ Institucion Teatral Independiente AC, Mexico (2020).

  • America's Square (2020),  Senses (2020), and Hypnopedia (2020). Sponsored by the Mexican Secretary of Culture and presented at Centro Cultural Helenico Theater, Mexico (2020).

  • Guilguilim (Cumbia Calea) was selected to be part of a year program at The Drama Writer's Lab 2016, Casa de Artes, San Agustin Etla, Mexico. (2016).

Play

Commercial 
Filmmaker

  • Pepsi, Mother's Day Content, Guatemala (2017).

  • Bayer, Dorival, Centroamerica (2018).

  • Sephora, USA (2016).

  • Unicef, Child Soldiers Refugee Camps, Uganda (2006)

Fellowships
 

  • Tinker Foundation Grant, NYU (2024)

  • Sylvia Molloy, NYU (2023)

  • Talent Campus Guadalajara,  (2018)

  • Maine Media College, (2014-2015)

  • Nalip Fellow, Latino Producer Academy (2009)

  • TALA Masterclasses, Jewish Federation, (2009)​
     

Education

New York University

MFA, Creative Writing, School of Spanish and Portuguese.

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Maine Media Workshops + College

MFA, Film and Video Production

 

Universidad Nacional de San Martin (IDAES) 

MA, Cultural Studies

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University of Buenos Aires

BA, Major in Political Science, Minor in Social Science and Public Opinion.

Training and Certifications

• THE ACTING STUDIO, Meisner Acting Technique and Directing Actors

• ETSU, Brand Storytelling Film

• UCLA Extension, Writing & Entertainment

Affiliations

Dramaturgist Guild, International Documentary Association, Tinta (Mexican Scriptwriter Guild) & Nalip Association.

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